The attachment is a little something I threw together.. you never find a hybrid list with more than 30 of em so I decided to put them all together in alpha order. Enjoy!

Constructive criticism is welcome.

This is a great list of hybrids that you put together. I've seen many of these but all from different books or peices of music, never all at one time though. Great Job!

thnx

Nice compilation. I vote sticky.

Very nice work Ratamaswiss.
This should be definitely sticky.
That's what many people are looking for and now they can get it.

It would be a cool sticky in the rudiment section, I'll ask about that, Thnx a lot for the feedback. I'm very glad to see some people will get as much use for this as I will.

Learn em all, grid em all O_O

This is very awesome, but unfortunately I do not know how to play a lot of them. My knowledge of notes pretty much only encompasses up to 32nds, and sixtuplets. I haven't been able to find a source that tells me how to play anything other than that. I'm big on counting the music as I play it, and I have absolutely no idea how to count 5, 7, 9 or X amount of hit beats.

I know this may be off-topic, but any ideas on how I might be able to figure this out?

Not to get off topic either, but I think since this place is also a place of learning and there is nothing more to say about the PDF I will explain 9's to you, they are the easier ones, I'll show you the 9:8 ones (9 sixteenth in 8 sixteenth place)(9 in 2 counts) because thats the one you will commonly see, and I'll so you with the easy sticking. You can alternate sticking once you learn the sound of them.

play this, Make sure you accent on every down beat (tap foot)


Now play 2 count triplets (quarter note triplets)Make sure the accent hits with the foot on 1 and 3


Ok now this make sure you are really on the beat with the 2 count triplet tap your foot


Now here act like the 2 count triplet accents were like the beats on the first image. Keep the accent constant but try to add the 2 extra notes to feel like triplets at a different tempo


After you work that out with the accents in the right place you can try to alternate the 9's, but usually through high school you see them in RLL RLL RLL pattern.
thats about all I can say sorry if its hard to understand but its hard to show you on the net. Good luck! Tip for 5's count it Un-i-ver-si-ty or hip-po-pot-a-mus any 5 syllable word.

Wow...thanks for putting that together, that's really nice to have laying around.

Helicopter is spelled "Helecopter" in the Hulka Helicopter, but that was all I caught just skimming over it.

lol, oops thnx for the report.

Ah, that helps quite a lot, Swiss. Thank you immensely

Dude, i was looking for something like this. Thanks a ton.

I live to serve the drumline comunity

Still waiting for sticky -.- lol

Nice list. I am myself working on rudimental stuff for the french community. Those are my comments for my first reading. I hope you will continue to work on that list and we might developpe a concesus for the news, hybrids, invertions rudiments. I will developpe my comment later.

#11-13-14 are the same rudiment whit different name. I prefere "cheese chut-a-chu";
#27-31, I prefere "chut-a-chu". (make sense whit #14);
#20 sould be related to swiss army triplets and not to cheese;
#118 is a single drag paradiddle (PAS);
You should also had (l)Rrl(r)Llr (alterned swiss army) one off my favorite.

see you later,

The french connection,

Thank you I will take you information and use if for future versions!

Nice...real nice. I was about to go buy a hybrid book too. Thanks man.

- this a great list of hybrids, thanks a lot for putting in time to do this.

Np, actually, it did take quite a long time.

Hey guys sorry there was some corruption problems when this forum was made a sticky. It will be fixed in a couple of hours, just in case anyone if finding trouble with the download.

Quote:

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#20 sould be related to swiss army triplets and not to cheese;

---

I know but that is what Bill Bachman calls them, and who am I to say he's mistaken?

Excellent. Great Job. Now I can see all of these fancy newdarnged rudiments you kids always talk about.

Wow! thats great! Really nice job!

Im like the 342345 person to say this but wow great job and thanx, this whole time i was playing bookreports the wrong way i was putting a flam on the para part right after the first didle, beat "e"

wow thanx!

very nice, i have a couple pages of some of these things but never sorted or organized like this

Cool little book here it helped me to sort of think out side the box and challenge more than the basic 40 rudiments

Thanks a lot..that will be greatly uselfull to all!

YAY...more stuff to practice!!! 8-) good job on the book man

Just wanted everyone to know.
Book reports sticking is
lR L R R rL R L L
I messed that up on the last sticking pattern
there flam paradiddle patterns.
Just in case

That book report sticking looks like a flam paradiddle to me, unless I'm reading how you wrote it incorrectly. Unless there's some mistake, a book report is:

RR l (l)r rr LL r (r)l ll, where RR and LL are accented diddles, rr and ll are unaccented, and (l)r is a flam.

If something has more than one name, just choose one and use that. Since when is Bachman infallible?

It doesn't even really matter anyway, I've seen eggbeaters written as straight fives and as three sixteenths plus two thirtyseconds...like the first half of a sixlet plus a diddle. Just learn everything with proper accuracy and technique, play it off the left, invert it, play it inverted off the left, move the accent to every beat of the rudiment, and you'll be set for corps and PIW.

dude, thanks a lot man, great job.

dude you are the best, to bad.. i just bought slammin hybrids but it's still has a lot of useful exercises

How do I download the book because when I press attachment it goes to Microsoft word and looks like some alien language.

Maybe the file's a .PDF file so you need Adobe Acrobat Reader for it?

nice for the millionth time but I finally got them.

Dude this is awsome, i believe you were put on earth to make that book. Ive wanted something like that forever, THANKS!!!

yeah man, thanks, it's really nice to see all these hybrids in one place.

Happy to help

This is fantastic, can't wait to shed some wood!

I've been playing Book Marks wrong this whole time and I didn't see what I was playing anywhere in the book... Maybe a new hybrid??
R (r)ll r rr L (l)rr l ll (Just in case, I'll throw out a name -- Booklets)
Please feel free to call me on this one just incase I missed seeing it in the book.

And awesome book by the way. Peace...

thats a "Book Mark", as I've heard it been called. I think there is another rudiment in that book called that, but it is a different pattern. These are so confusing..............

I thought it was, but I keep seeing this different pattern around. Anyone else know about this?

TuoPohc
What you've been playing are Book Marks.
The trouble with hybrid names is that there are regional variations. This one has been well established over the years.

G

I just wanted to say that this book is awesome, really great.

Ratamaswiss, you rock!

Well thank you everyone. A lot of people responded so this obviously was something that everyone needed/wanted as much as I did. Always happy to help!

Thanks a ton man!

this is the reason i joined this website. awesome stuff.

I do believe you forgot my rudiment: Cheese taps. Flam taps with a cheese on 1 and &.

Great book Ratamaswiss! Couple of questions for everyone out there...

I'm looking at Rudiments 55, 56, and 101. What is the difference/similarity between a patty and a flafla? How do you "patty" a rudiment and how do you "flafla" a rudiment? I always thought that a patty was a downbeat and uh ACCENT pattern, while a flafla was a downbeat and uh FLAM pattern. So a patty flafla rudiment would just contain both. Is this correct or way off?

However looking at these three similar rudiments I am confused. According to #55 (flam 5 flafla) there is an inverted/hand to hand primary stroke pattern (RLRL, followed by LRLR). And #56 (Flam Five Patty) there is a regular alternating non hand to hand RLRL RLRL pattern. So from these two rudiments alone one might infer that this sticking is the difference between patty and flafla since the diddles, flams and accents are the same for both. However whether that is true or not when you put #101 into the mix it messes everything up. #101 (Patty Fives) is the same as #56 except for the addition of an accent on the uhs.

Help me everyone, I'm seriously losing sleep over this

on the casey claw is that the casey claw that casey brohard does in his winning dci solo and if so he did that with one hand and it has right and left.

yo drum_addict, are you sure you made up the Cheese tap. The opening to ditty sounds a lot like what your talking about?

Yeah, they Casey Claw is named after Mark Casey (Cavies '91-'93). I think Brohard did a 3-point variation of the claw as Kevin pointed out. Watch my DCA video and you'll see me play the claw first right-handed then left-handed.

Thank you sir. This is the bible.

Great list thanks!

great job man! How exactly do u play malf taps. and does can someone explain how to do the three point variation of the casey claw Brohard does in his i&e solo.

To play a malf tap just play a flam as you would normally, like the left hitting just a bit before the right. But to play the malf tap you raise the grace note to be the accented note and keep the tap low. So instead of a say a grace note and tap being 3 fallowed by a 9 you do a 9 fallowed quickly by the 3 to be a flam but the grace note is emphisized.

You are my hero! Thank you
How long did it take you to put that together?

Normally I have never really looked into hybrids cause i prefer the originals. But this is an amazing job!!! I'm changing my mind about hybrids!

how in the heck are you supposed to play mac's at a high tempo??

Thank.. YOU!

Wow, it's a heaven post.

x]. Thanks man, I'll be looking into this a lot over my break =)

Same here. This is almost like the Bible..except it's not as holy. But anyway, awesome job! And thanks a ton, I have a feeling I'll be needing these later.

its JUST as holy to me >_>

Might I just say one thing...Amazing! All in one place, no searching. It's just simply put...Amazing...or wonderful..whichever you prefer.

Hm, I can't print it out =/ I could only print the first page ha. Any help?

yea, I just began working on hybrids, because I just finished the Vic Firth rudiments page (GREAT SITE) (http://www.vicfirth.com/education/rudiments.html) and this book is amazing. Thanks so much!!

best resource I've seen for hybrids

My comp originally froze when I was trying to load this baby up, but wow--great material!

thanks man

Thank you for this amazing boook. Ive been looking forever for these rudiments.

I just wanted to let you know that you are my best friend. God sent you to drummers.

wow this is pretty useful

Great job!! Any way to get them into a matrix type organization and include the tradishinal ones as well. should be published!

Woah, this is amazing, I love it. Thanks

Your little book is getting around. I was at rehearsal on Thursday and when into the director's office and saw a copy sitting on the stand. I have a copy and I've also given it to other people.

So...Good job!

my 65 year old teacher is using it for her class man,this is awesome, and never i found all (or most) of the hybrids in one place. One question....How do you do this?!?..nah, but seriously:

Excellent work!

Hey i tried to E-mail you but i got some error message. I was just gonna let you know that I was taught book reports as R L lR R L R rL L istead of your sticking. Im pretty sure the last diddle is left-handed, but hey, there might just be 2 ways to do it that I dont know about. The right hand hittin 4 times in a row just didnt seem right...

Thanks a million, this is a great piece of art other than that.
I really appreciate all your hard work.

-Snareflare

SnareFlare's right. The sticking is like a paradiddle with a diddle on the beat and a and a flam on &.

thanks thats really great

this is amazing. thanks for all of the hard work and keep on drumming!!

So who's going to make the 128 Visuals Dictionary for Marching Snare? I smell publishers...

Theres a typo for the book reports.
On the file its rlrr lrlr
shouldn't it be
rlrr lrll?

I already posted that on an earlier page. =) Thanks for watching out for stuff like that though. I sat down with that book and went through them, and thats the only sticking issue i could spot. Couple of spelling errors, but those are insignificant.

This is great! Thanks for posting this up!!

I can't print it out. Does anyone know how to get it to do that?

Another GREAT rescource for Hybrid rudiments can be found on Greg Anderson's website...

http://slamminbeats.moonfruit.com/

food for thought anyway

great list

[quote=Ratamaswiss]Not to get off topic either, but I think since this place is also a place of learning and there is nothing more to say about the PDF I will explain 9's to you, they are the easier ones, I'll show you the 9:8 ones (9 sixteenth in 8 sixteenth place)(9 in 2 counts) because thats the one you will commonly see, and I'll so you with the easy sticking. You can alternate sticking once you learn the sound of them.

play this, Make sure you accent on every down beat (tap foot)


Now play 2 count triplets (quarter note triplets)Make sure the accent hits with the foot on 1 and 3


Ok now this make sure you are really on the beat with the 2 count triplet tap your foot


Now here act like the 2 count triplet accents were like the beats on the first image. Keep the accent constant but try to add the 2 extra notes to feel like triplets at a different tempo



Havn't you ever marked time while playing Cheezy Poofs? It's like playing triplets in in half time. Try marking time for that, and you'll get this down easily. It made it easier for me. A met, or marking time usually helps me play things that mess with the mind. My mind may not understand it at first, but once my feet are going, my hands can understand how things go.

By the way, that's a great list. I've only seen a few with so many hybrid rudiments. It's very helpful to not have to search for them.

This rudiment book was how i found this website lol.

I'm not sure if we just learned this two different ways but (47) egg beaters

The way I've always been taught them is more of fivelet feel so if you were to close your eyes it would sounds continuous but in this its written so that the 3 is slower than the diddle

Straight 5s are just referred to as beaters so you know the sticking is not straight.

That's a really good document. I've been looking for something like that for a long time. I know this is an old thread but thought I'd throw out the thanks.

very nice job and THANK YOU.. my guys are always saying "what about cheeses etc...." finally i can talk in their language

So, you were the one that made that book i downloaded a few months ago
well, thank you for the book, its great.

Wow, this is really great! more stuff to practice haha. Thanks a lot for putting all the effot into getting this together too.

Thanks! Things like this are the reason I've joined this site! What a great place to further persue and educaiton of percussion!

someone may have already said this, but 118 is just a dragadiddle.

There will be many similarities with Swiss rudiments, the Standard 26 and the PAS 40. It is still nice to have them listed and their inversions to view in the Book for the 128 Hybrids. I would also include many Pipe Band rudiments as well to round out the playing potenial. Two books that have the Pipe Band snare rudiments are Alex Dutharts Books 1 & 2 and David Farquhar`s "Snare Drum Rudiments and Pipe Band Drum Scores."

Pretty meaty stuff!! Different names for a few things, but great! Thanks!